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(13.9 M)Ogg Video
(20.0 M)h.264
(52.5 M)h.264 720P
Southern California Restaurant Parking Lot, late 1950s.
This movie is part of the collection: 35mm Stock Footage
Audio/Visual: Si, color
Keywords: California (Southern California); Automobiles (Parking lots); Restaurants
| Movie Files | h.264 | Ogg Video | h.264 720P |
| 8539_R458RC_12-8-9_1622_LA_color.mov |
20.0 MB
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13.9 MB
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52.5 MB
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| Image Files | Animated GIF | Thumbnail |
| 8539_R458RC_12-8-9_1622_LA_color.mov |
104.3 KB
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6.3 KB
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| Information | Format | Size |
| 8539_R458RC_12-8-9_1622_LA_color_files.xml | Metadata | [file] |
| 8539_R458RC_12-8-9_1622_LA_color_meta.xml | Metadata | 1.1 KB |
| 8539_R458RC_12-8-9_1622_LA_color_reviews.xml | Metadata | 3.1 KB |



Reviewer:
JPS_Prod -




Subject:
Process Footage
A little glimpse into the movie making world. Seen in clip from the film "Strangers We Meet"(1960) projected behind Kirk Douglas and Kim Novak. See link: http://www.youtube.com/watch?v=cQJ7Zo61r5s
Reviewer:
The Bridge -



Subject:
The cars
The cars are: On the left, 1959 Chevrolet Station Wagon (White), next to it is a 1957 Ford Thunderbird (Kind of grey), on the right a nice 1957 Ford Fairlane (Blue and White). I sure can't figure out the location, although as someone mentioned the Albatross Restaurant, it sure does have a white A l and what looks like a b on the red sign. Watching the cars that go by, I would place the year of this film at 1959 or 1960.
Reviewer:
johnnyyuma1958 -
Subject:
Strangers When We Meet
This does appear to be The Albatross Hotel Restaurant. An overhead view of the place can be seen here:
http://www.tikiroom.com/tikicentral/bb/viewtopic.php?topic=25533&forum=2
Reviewer:
Donfield -
Subject:
Aspect Ratio incorrect
As previous commenter notes, aspect is wrong. I'm applying no rating though, as this post is only to add a possible clue of origin.
Slate seen briefly at the beginning shows the names Quine and Lang.
According to IMDB, Richard Quine was a film and television director/producer active between 1948 and 1980. During the late 1950s, he worked with cinematographer Charles Lang on The Solid Gold Cadillac (1956, aspect 1.66:1), Strangers When We Meet (1960, aspect 2.35:1), and two more films in 1964 (Paris When it Sizzles, Sex and the Single Girl).
This might be from Strangers When We Meet.
Reviewer:
tterrace -

Subject:
Aspect ratio
This is coming through to me with the aspect ratio screwed up; it appears to have been shot in Cinemascope, approx 2.35:1, but it's only stretched to what looks like 1.85:1, leaving everything squished horizontally. This is via both Flash and html5 viewers online, in two different browsers, as well as the 720p download.